Sunday, January 8, 2017

Growing into poetry

Dear Mike,

re: poetry and our usual concerns

At university I did not enjoy the poetic canon.  In 1971 I struggled to write anything about Gerard Manley Hopkins!
Dylan's lyrics and Jim Morrison's spoke louder.

After age 40 though, Robert Bly opened many doors.  

At age 66 this evening he connected William Blake and your own closing, "Girls, girls, girls"

The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the destructive sword, are portions of eternity too great for the eye of man.

Tuesday, October 11, 2016

I'd rather go blind ...

As I pack my bags, Koko Taylor and I are rocking out.

Koko, Mike and I rocked out one night in New Haven, ~1978

Thursday, December 5, 2013

Dance Performance by Mike with Ballroom Instructor

I'm dancing with my senior instructor, Lana Rudenco, in October 2012 at a Fred Astaire Rockland NY Studio showcase party.  Choreography by Diana McDonald based on a famous Fred Astaire-Rita Hayworth movie dance, which is used by the New York City Ballet for its tribute to Fred Astaire.

Check it out here.

Smoke Gets in Your Eyes

Last night I watched the classic 1935 film musical Roberta, which is set in Paris.  The romantic leads are played by Irene Dunn and Randolph Scott.  The secondary romantic  couple is played by Fred Astaire and Ginger Rogers.  Ginger Rogers is hilarious early in the film, masquerading - with a faux French accent - as a wealthy countess and a Parisian woman of very high fashion.   She and Fred meet by accident in Paris. Back in Indiana they were a song and dance team, and of course they pick up where they left off.

A beautiful Lucille Ball plays one of the many fashion models in the movie.  Speaking of Lucy, William Frawley (better known as Fred Mertz), plays a bartender.

It's a beloved musical because of its songs,  written by Jerome Kern, and the dance routines.  In particular Irene Dunn sings Smoke Gets in Your Eyes, accompanied by an orchestra of  balalaikas.
Later Fred and Ginger dance to an instrumental version.
See  http://www.youtube.com/watch?v=gkQU-VQkhGw  for all of that.

Jerome Kern, a great songwriter, also wrote Ol' Man River and The Way You Look Tonight, a Sinatra staple that Kern wrote for Fred Astaire to sing to Ginger in Shall We Dance.

Smoke Gets in Your Eyes is one of the great popular songs of the 20th century, and continues to have an impact on American popular culture.  A remarkable, long and eclectic list of singers and groups have done a rendition of the song (some listed below).

The Platters recorded the most commercially successful version of the song in 1952.
http://www.youtube.com/watch?v=H2di83WAOhU

A favorite version of mine is sung by Dinah Washington:
http://www.youtube.com/watch?v=R_OkmVtUaA0

Here's a version by Jerry Garcia, with the lovely Ashley Judd sitting next to him, from the movie Smoke.
http://www.youtube.com/watch?v=DEuJqlrfEZ0
To quote Cliff Claven, here's a little known fact: Jerry Garcia was named after Jerome Kern.

The song has been central to many movies and books (a list of both in Wikipedia).
In the climax of The Catcher in the Rye, Holden Caulfield comes to terms with reality while watching his 6 year old sister Phoebe on the carousel as it plays Smoke Gets in Your Eyes.
The song title still pervades American popular culture.  "Smoke Gets in Your Eyes" is the title of the pilot episode of the AMC TV series Mad Men (airdate July 19, 2007).

A partial list of who else has recorded a version of the song, along with some links:

Kathryn Grayson (from Lovely to Look At, a 1952 remake of Roberta)
http://www.youtube.com/watch?v=0C3OxlpoIRI

Judy Garland on The Judy Garland Show
http://www.youtube.com/watch?v=xz68KvMtHOA

Nat King Cole  http://www.youtube.com/watch?v=u6Je0rHIal4

Barbara Streisand

Louis Armstrong

Johnny Mathis

Harry Belafonte

Sarah Vaughn
Billie Holiday

Tommy Dorsey
Glenn Miller
Benny Goodman

Cannonball Adderly
Thelonius Monk
Sonny Rollins
Charlie Parker

‪Ray Conniff‬

Al Jolson

Edith Piaf

Cher

Zoot and Rowlf from the Muppet Show 
http://www.youtube.com/watch?v=9ygnnPWvC9c

 

Thursday, March 14, 2013

Baseball as a Road to God


NYU President John Sexton has written a book Baseball as a Road to God, based on a course he gives with the same title.  He gave an NPR interview about his book on the Leonard Lopate Show.
To listen to it, visit  http://www.wnyc.org/shows/lopate/2013/mar/13/nyu-president-baseball-road-god/
Click on the (lower) "Listen", just above the photo of Busch Stadium.

Three things stood out for me:

1.  You're born into a team, like a religion:  "We're bequeathed our team."  This was my experience, although in an unusual way. When I was 4 or going on 4, my oldest brother had me point at a list of teams in a newspaper, and, seeing which team I'd pointed at, declared that I was a Cincinnati Redlegs fan. And that was that. This is one of my earliest memories, I wasn't sure that it really happened until he confirmed it a few years ago.

Sexton adds that this early choice of a team is more important than the early choice of a religion, because the choice of a team is more likely to stick.  Certainly true in my case. On a related note, he says:  "It gets you when you're young, in which case it sticks, or not at all."

2.  His most interesting statement, about what Americans, in particular the citizens of Brooklyn, learned in 1958:
"If the Dodgers could be taken from Brooklyn, there's no institution we can trust."
Historians see the New York Giants leaving for San Francisco and the Brooklyn Dodgers leaving for Los Angeles - both in 1958 - as an indicator of a turning point in 20th century US history.

3. Toward the end they mention Bart Giamatti,  whom I knew at Yale before he became the President of Yale.  Later he became the Commissioner of Baseball.  He has written beautiful essays on the spiritual side of baseball, which were collected into a book Green Fields of the Mind, which is required reading for the course.

I have a Bart Giamatti story which captures (1) above, I'll save it for a live telling.

His only mention of God is in the context of prayer.  He refers to a God within and unnamed Asian religions. About prayer: "Prayer changes the one who prays."

One for you Ted:  He refers to an article that uses phenomenology to interpret the ritual of a baseball game as based on the ritual of a  Mass.

Refers to John Updike's poem: Tao in the Yankee Stadium Bleachers.

Religious themes:
Fatih and doubt.
Faith: Tug McGraw's "You gotta believe"  seemed to carry the underdog 1973 Mets to a World Series.

Doubt:  "Baseball incarnates doubt."

Curses & Blessings:
  blessing - a release from accursedness

Brooklyn Dodger fans responded to a curse with hope -  "Wait Till Next Year", which finally arrived in 1955.
Cubs fans, who are still waiting, respond with humor "The Cubs just had an off century."
(Based on the cliche "The team just had an off day.")

Religions advise against hubris.  So does baseball.
"In baseball, a player better have humility, or he will fail."

The sacred and the profane:  the baseball - the sacred rock; the baseball stadium - the sacred shrine.

Things he doesn't mention:

In Bull Durham,  Susan Sarandon played a woman who was very into 3 things: religion, baseball, and sex.  She observed that the number of beads in a rosary is the same as the number of stitches in a baseball.

The Holy Trinity and baseball as the game of threes.  Three strikes to an out, three outs to an inning, three innings for each of the three (beginning, middle, and end) parts of a game.

Also, quite remarkably, on average over time, a batter safely reaches base one in three times at bat, and a team scores a run (or more) in one of three innings.

This is the source of the statement "Failure is the norm" in baseball.

Friday, March 1, 2013

Hill Climbing


King of the Hill: 
Bobby Slam, Season 2, Episode 10
Dia-BILL-ic Shock, Season 13, Episode 1

Mike writes:
I'm doing some writing with KOH on in the background.  The episode with Bobby wrestling Kahn Jr. was just on, not so good. But now the episode with Bill in a wheelchair after being diagnosed with diabetes is on.  A classic.

Andy responds:
That's a great episode. Lot's going on and I'Ll need to re-watch it to comment. I will offer an overall observation on the structure of KOH.  In the early seasons, Judge made a decision that the characters would age. Hence we have Bobby, Kahn-jr, and starting off pre-pubcent and winding up as teenagers, Bobby/Connie good friends -> boyfriend/girlfriend -> breaking-up.  Then after Judge left the series for a while the decision was made to freeze the characters, a la Peanuts/Simpson, most-likely for commercial reasons, I.E., to give syndicators more of an option on the order in which they can run the episodes (ironically, they same to run them in chronological order).  This was an unfortunate decision and the classic KOH episodes come before this period, which is 1997-1998/9 and those are the ones we are watching now.  So taken in that context, the Bobby/Kahn Jr episode is actually more interesting that you might think, if you focus on their relationship which is a pretty good model of friendship.  Of course this gets all screwed up when they "grow up" !  The Bill character, who I love, is an example of KOH's Seinfeld-like, "no-hugging, no-learning" mentality. The KOH post-Mike Judge era characters never really change for episode to episode. They do something stupid, learn from it, and then do it again in another form. I guess it has to be this way or the series would eventually extinguish itself and it is probably the secret to most successful sitcoms.  However, Judge, actually was breaking this formula in the early years as you can see the Hank character mature in his relationship with Bobby, Luanne, Peggy.  However, it would be fair to say that in real life the adults tend to be stagnant as well!

Thursday, January 5, 2012

song lyrics, The Doors

This afternoon, I got frustrated with HMOs, voice menus and computer forms. Then I jumped to cosmic pessimism!

To simplify the bombast, eerie verses of Jim Morrison come to mind. Old Jim sang so dramatically !
“What have we done to the Earth? What have we done to our fair sister? Ravaged and plundered and ripped her and bit her, stuck her with knives in the side of the dawn, and tied her with fences and dragged her down.”
In 1968, this HS junior was coolly fascinated by Jim Morrison. The risks he took as a performer were breathtaking and raised goosebumps. 


Thursday, December 15, 2011

Dolly Parton sings Christmas


One Holiday Season, I was forced to listen to Dolly Parton and think analytically at same time, because the office receptionist decided to fiafia the whole office with her fiafia-boom-box. 

Eventually I stopped resisting.

Dolly sounds good this time of year!



Wednesday, December 7, 2011

Essay on language, race and poetry

Writing Like a White Guy by Jaswinder Bolina
This kind of writing gives me a mental workout; I liked it! 


"I'll come back and read it slowly," I told myself.


-- TZ

Monday, October 17, 2011

dance photos c)

3rd set of dance photos

dance photos a

First three photos of Mike and his dance partners.

Friday, January 21, 2011

Rowdy music, ecstatic music

On Friday evening, home alone, I unwound a work week with music, wine, olives and cheese --


  1. 1967: At the home of Dr Stotts, while his parents were away, youth smoked DMT and sought music-- "I might get burned up by the Sun! But I've had my fun!"
  2. After that opener I wanted to hear Ten Years After again!  
  3. Forty years after the 1969 Woodstock Rockfest, Oregon still has the Oregon Country Fair.
  4. In 1980, Ted and Otila eloped to Oahu. Radios were playing While You See A Chance and Otila liked it right away.
  5. In 1974, this Peace Corps teacher brought a Soul Sacrifice to an teachers faikava in the Friendly Islands.  Actually Santana's electricity didn't match the rest of the evening's mellow Tongan love songs.  
  6. Speaking of sacrifices, I've always liked Cast Your Fate to the Wind
  7. End of the Line put a cap on my Chardonay.

    Thursday, January 13, 2011

    Felsha Reminds Mike of the Beauty of SIlent Films

    On this blog (see Top 20 songs) Felsha had me check out a couple of music videos, both of which were beautiful. One of them had a lot of meaning for me beyond the music.
    See: http://www.youtube.com/watch?v=4NZdggNUvq0&feature=related
    Maxence Cyrin is the pianist/composer of this piece, Where is My Mind. The video is made entirely of excerpts from the film The Mysterious Lady (1928), starring the great Greta Garbo.

    Cyrin's music and the film segments make each other more than they are alone. This is actually not surprising, because silent films were meant to be viewed in a theater, accompanied by live piano music. Part of the film would be the piano score written for it. In the early 1980's I saw a different Garbo classic at the Anthology Film Archives on Astor Place in the East Village of Manhattan, and, along with the film, a pianist played the score that had originally been written for it. It was a completely different experience from viewing a silent film without the music, the music added drama, comedy, etc.

    Inspired by this, I looked at other videos of Cyrin. Yet another featured a classic silent film. See http://www.youtube.com/watch?v=A2A5Gno7T0Y&NR=1
    This piece is called La femme chinoise (Yellow Magic Orchestra), the film is The Goddess (1934), a Chinese film set in Shanghai. The Chinese word that gets translated to "goddess" means both goddess and prostitute.  The actress is Ruan Lingyu, a legendary Chinese movie star who was the Greta Garbo of Chinese silent films, usually playing the tragic heroine. She had a full but complicated personal life and committed suicide at the age of 24, leaving the note: "Gossip is a terrible thing."

    The woman's long form-fitting dress is a form of the cheongsam, a traditional Chinese dress. Cheongsam with slits up the legs were worn by prostitutes and women of fashion. It showed off their slender, elegant bodies, and their gentle curves. That style of dress is still worn occasionally by Chinese women today, at formal occasions. At the storied ballroom dance club The Paramount, which celebrates the glamour of old Shanghai, the female dance professionals all wear this style of dress. Bolei and I have been there several times, and danced with each other and professional dancers (for a price).

    At the very end of the film, you see the lights of Shanghai. The skyscrapers are Art Deco, they loved the great Art Deco skyscrapers of Manhattan (such as the Woolworth and the Chrysler buildings).

    Monday, January 10, 2011

    If Hester Prynne had had Facebook ...

    If Hester Prynne had participated in social media, would she have been stigmatized so?

    Image: Leap of faith

    Image of a woman stepping off a precipice ... for my adult daughters Felsha, Johanna, Ivy and Emelda

    Barbara Parmet, Barb Parmet, photography, experimental, platinum prints, meditative image

    Saturday, December 18, 2010

    summer weekends 2010

    Links to photos of Oregon, Ted and friends --

    In July, Ted and friends camped near the summit of Mary's Peak in western Oregon.
    For the photos, thanks to Toshi, who was a summer guest of Ted and Otila.

    In August, Ted and Ernie hiked in the Umpqua Valley near Roseburg, OR.




    Tuesday, October 19, 2010

    Hawaiian moments

    Canoe Approaching South Point Hawaii - ca 1400 a.d.



    Feher painted Hawaiian moments

    Sunday, June 29, 2008

    Freud, Hegel, Habermas, Dove, and Semiotics

    A while back Ted said he was trying to understand the Habermas value-add to Freud. That was a big deal with the students/faculty at the Graduate Faculty of the New School, where I went to grad school in philosophy in 1974-75. Most of them had an ideological attitude about it. They believed symbols and signs necessarily mediate human relationships, and so human behaviour cannot be understood using the methods of the physical sciences, which formulate hypotheses and then test them thru a controlled experimental framework. Rather a rational study of human behaviour can only be based on textual interpretation of the signs and symbols that are the basis for human interaction. This of course is hermeneutics (although Habermas did not consider himself to be in this school or any other).

    Hermeneutics originated as the interpretation of biblical text. Freud got it right they said with his dream interpretation theory, where he analyzed dreams as texts full of symbols and signs. But he misunderstood his own theory, thinking that all this could ultimately be explained by brain and neural chemistry: "Freud's scientisitc self-misunderstanding", they used to say. Reminds me of how Hegel would say some level of consciousness "was still to itself obscure" (awkward but cool translation from the German).

    Habermas fits in here somewhere, as he says human behaviour is about language games and dreams are about unresolved language games and repression is revealed in "systematically distorted communication." In a cruel way, it was funny to hear him say this with his severe hairlip. The repression theme is obviously in line with Freud, as is "systematically": Freud claimed no slip of the tongue is an accident.

    Present-day philosophers don't say they do philosophy, they say they do semiotics, often combined with philology. Umberto Eco is an example of a semioticist (?), he was a professor of semiotics for many years before he began writing novels. All mainstream philosophy since Hegel and Nietzche has been reduced to philosophy of language, with the logical positivists and on one side and the hermeneutics and semiotics folks on the other. Semiotics is a meta-discussion of meaning: i.e. what is the meaning of meaning.

    Ken Dove, the philosophy professor at Yale who influenced and inspired me the most (I attended the Graduate Faculty in NYC to study under him) had as always a distinctly different view from anyone else, one that was largely based on his interpretation of Hegel. He said that linguistics cannot serve as a model for human interaction, as the domain of linguistics falls short of binding humans to agreements and creating insitututions, and cannot serve as a foundation for legal, ethical or moral behaviour. Hegel's Philosophy of Right is a logical analysis (Hegelian logic) of how legal rules are binding in a way that is ultimately inadequate and gives way to the ethical domain, which in the same manner leads to the moral domain. A "domain of language" is not even considered.

    In conclusion: "We must be mindful of Hegel", Ted Zuschlag's summary of a Hegel seminar held at Wesleyan U. circa 1972.