Sunday, January 8, 2017

Growing into poetry

Dear Mike,

re: poetry and our usual concerns

At university I did not enjoy the poetic canon.  In 1971 I struggled to write anything about Gerard Manley Hopkins!
Dylan's lyrics and Jim Morrison's spoke louder.

After age 40 though, Robert Bly opened many doors.  

At age 66 this evening he connected William Blake and your own closing, "Girls, girls, girls"

The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the destructive sword, are portions of eternity too great for the eye of man.

Tuesday, October 11, 2016

I'd rather go blind ...

As I pack my bags, Koko Taylor and I are rocking out.

Koko, Mike and I rocked out one night in New Haven, ~1978

Thursday, December 5, 2013

Dance Performance by Mike with Ballroom Instructor

I'm dancing with my senior instructor, Lana Rudenco, in October 2012 at a Fred Astaire Rockland NY Studio showcase party.  Choreography by Diana McDonald based on a famous Fred Astaire-Rita Hayworth movie dance, which is used by the New York City Ballet for its tribute to Fred Astaire.

Check it out here.

Smoke Gets in Your Eyes

Last night I watched the classic 1935 film musical Roberta, which is set in Paris.  The romantic leads are played by Irene Dunn and Randolph Scott.  The secondary romantic  couple is played by Fred Astaire and Ginger Rogers.  Ginger Rogers is hilarious early in the film, masquerading - with a faux French accent - as a wealthy countess and a Parisian woman of very high fashion.   She and Fred meet by accident in Paris. Back in Indiana they were a song and dance team, and of course they pick up where they left off.

A beautiful Lucille Ball plays one of the many fashion models in the movie.  Speaking of Lucy, William Frawley (better known as Fred Mertz), plays a bartender.

It's a beloved musical because of its songs,  written by Jerome Kern, and the dance routines.  In particular Irene Dunn sings Smoke Gets in Your Eyes, accompanied by an orchestra of  balalaikas.
Later Fred and Ginger dance to an instrumental version.
See  http://www.youtube.com/watch?v=gkQU-VQkhGw  for all of that.

Jerome Kern, a great songwriter, also wrote Ol' Man River and The Way You Look Tonight, a Sinatra staple that Kern wrote for Fred Astaire to sing to Ginger in Shall We Dance.

Smoke Gets in Your Eyes is one of the great popular songs of the 20th century, and continues to have an impact on American popular culture.  A remarkable, long and eclectic list of singers and groups have done a rendition of the song (some listed below).

The Platters recorded the most commercially successful version of the song in 1952.
http://www.youtube.com/watch?v=H2di83WAOhU

A favorite version of mine is sung by Dinah Washington:
http://www.youtube.com/watch?v=R_OkmVtUaA0

Here's a version by Jerry Garcia, with the lovely Ashley Judd sitting next to him, from the movie Smoke.
http://www.youtube.com/watch?v=DEuJqlrfEZ0
To quote Cliff Claven, here's a little known fact: Jerry Garcia was named after Jerome Kern.

The song has been central to many movies and books (a list of both in Wikipedia).
In the climax of The Catcher in the Rye, Holden Caulfield comes to terms with reality while watching his 6 year old sister Phoebe on the carousel as it plays Smoke Gets in Your Eyes.
The song title still pervades American popular culture.  "Smoke Gets in Your Eyes" is the title of the pilot episode of the AMC TV series Mad Men (airdate July 19, 2007).

A partial list of who else has recorded a version of the song, along with some links:

Kathryn Grayson (from Lovely to Look At, a 1952 remake of Roberta)
http://www.youtube.com/watch?v=0C3OxlpoIRI

Judy Garland on The Judy Garland Show
http://www.youtube.com/watch?v=xz68KvMtHOA

Nat King Cole  http://www.youtube.com/watch?v=u6Je0rHIal4

Barbara Streisand

Louis Armstrong

Johnny Mathis

Harry Belafonte

Sarah Vaughn
Billie Holiday

Tommy Dorsey
Glenn Miller
Benny Goodman

Cannonball Adderly
Thelonius Monk
Sonny Rollins
Charlie Parker

‪Ray Conniff‬

Al Jolson

Edith Piaf

Cher

Zoot and Rowlf from the Muppet Show 
http://www.youtube.com/watch?v=9ygnnPWvC9c

 

Thursday, March 14, 2013

Baseball as a Road to God


NYU President John Sexton has written a book Baseball as a Road to God, based on a course he gives with the same title.  He gave an NPR interview about his book on the Leonard Lopate Show.
To listen to it, visit  http://www.wnyc.org/shows/lopate/2013/mar/13/nyu-president-baseball-road-god/
Click on the (lower) "Listen", just above the photo of Busch Stadium.

Three things stood out for me:

1.  You're born into a team, like a religion:  "We're bequeathed our team."  This was my experience, although in an unusual way. When I was 4 or going on 4, my oldest brother had me point at a list of teams in a newspaper, and, seeing which team I'd pointed at, declared that I was a Cincinnati Redlegs fan. And that was that. This is one of my earliest memories, I wasn't sure that it really happened until he confirmed it a few years ago.

Sexton adds that this early choice of a team is more important than the early choice of a religion, because the choice of a team is more likely to stick.  Certainly true in my case. On a related note, he says:  "It gets you when you're young, in which case it sticks, or not at all."

2.  His most interesting statement, about what Americans, in particular the citizens of Brooklyn, learned in 1958:
"If the Dodgers could be taken from Brooklyn, there's no institution we can trust."
Historians see the New York Giants leaving for San Francisco and the Brooklyn Dodgers leaving for Los Angeles - both in 1958 - as an indicator of a turning point in 20th century US history.

3. Toward the end they mention Bart Giamatti,  whom I knew at Yale before he became the President of Yale.  Later he became the Commissioner of Baseball.  He has written beautiful essays on the spiritual side of baseball, which were collected into a book Green Fields of the Mind, which is required reading for the course.

I have a Bart Giamatti story which captures (1) above, I'll save it for a live telling.

His only mention of God is in the context of prayer.  He refers to a God within and unnamed Asian religions. About prayer: "Prayer changes the one who prays."

One for you Ted:  He refers to an article that uses phenomenology to interpret the ritual of a baseball game as based on the ritual of a  Mass.

Refers to John Updike's poem: Tao in the Yankee Stadium Bleachers.

Religious themes:
Fatih and doubt.
Faith: Tug McGraw's "You gotta believe"  seemed to carry the underdog 1973 Mets to a World Series.

Doubt:  "Baseball incarnates doubt."

Curses & Blessings:
  blessing - a release from accursedness

Brooklyn Dodger fans responded to a curse with hope -  "Wait Till Next Year", which finally arrived in 1955.
Cubs fans, who are still waiting, respond with humor "The Cubs just had an off century."
(Based on the cliche "The team just had an off day.")

Religions advise against hubris.  So does baseball.
"In baseball, a player better have humility, or he will fail."

The sacred and the profane:  the baseball - the sacred rock; the baseball stadium - the sacred shrine.

Things he doesn't mention:

In Bull Durham,  Susan Sarandon played a woman who was very into 3 things: religion, baseball, and sex.  She observed that the number of beads in a rosary is the same as the number of stitches in a baseball.

The Holy Trinity and baseball as the game of threes.  Three strikes to an out, three outs to an inning, three innings for each of the three (beginning, middle, and end) parts of a game.

Also, quite remarkably, on average over time, a batter safely reaches base one in three times at bat, and a team scores a run (or more) in one of three innings.

This is the source of the statement "Failure is the norm" in baseball.